It’s easier to turn power into money than to turn money into power. And the power restaurant has always been more about power than about restaurant: It’s a place where money buys you visibility and clout, and where the quality of the food is of secondary, if not tertiary, importance. The alchemy involved in creating such a venue, however, has always been mysterious. Many try; few succeed.
In culinary history, no place has nailed the semiotics of being a power restaurant as well as the Four Seasons. Architect Philip Johnson’s 1959 Gesamtkunstwerk inside Mies van der Rohe’s Seagram Building on ...
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